I’m an art curator and researcher based in LA with a foot in Barcelona. I work in the contemporary art world, curating exhibitions, writing, editing publications, and doing research projects. I collaborate with artists, art institutions, and organizations.

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Photo by Silvia Poch
Photo by Silvia Poch

I’m an art nerd ???? with social skills and some say good taste ???????? I’m an art nerd ???? with social skills and some say good taste ????????


Scope of work.

I understand exhibitions as dynamic spaces of collaboration and dialogue between the different agents involved in the process of creating and receiving the artwork, as a generation of a collective narrative where critical thinking and affections happen.

As an author, editor, and curator, I have explored extensively the use of publications as spaces for experimentation and dissemination of ideas. I am interested in the sensuality of their physicality, their dynamic and viral character, and the ecosystem around the act of publishing.

Research and collaboration are at the core of my work. Writing proves to be the natural environment for sharing and disseminating ideas and conversations for others to question or complete.

Occasionally, I am invited to talk about my research and areas of expertise. I find public exposure a humbling exercise, an exchange of ideas that occurs in sharing with others.

The curatorial practice and its function of facilitating and pointing out the complexity of the artistic act cannot be limited to the exhibition act in the white cube. The programming of activities in their most diverse manifestations is essential to the curatorial exercise.

I work with organizations and companies, such as production companies, to enrich their projects through aesthetic and conceptual dialogue with contemporary narratives that are being addressed by art, philosophy and cultural criticism.

Scope of work.

Exhibitions

Publications

Writing

Talks

Public Programs

Creative Consulting

I understand exhibitions as dynamic spaces of collaboration and dialogue between the different agents involved in the process of creating and receiving the artwork, as a generation of a collective narrative where critical thinking and affections happen.

As an author, editor, and curator, I have explored extensively the use of publications as spaces for experimentation and dissemination of ideas. I am interested in the sensuality of their physicality, their dynamic and viral character, and the ecosystem around the act of publishing.

Research and collaboration are at the core of my work. Writing proves to be the natural environment for sharing and disseminating ideas and conversations for others to question or complete.

Occasionally, I am invited to talk about my research and areas of expertise. I find public exposure a humbling exercise, an exchange of ideas that occurs in sharing with others.

The curatorial practice and its function of facilitating and pointing out the complexity of the artistic act cannot be limited to the exhibition act in the white cube. The programming of activities in their most diverse manifestations is essential to the curatorial exercise.

I work with organizations and companies, such as production companies, to enrich their projects through aesthetic and conceptual dialogue with contemporary narratives that are being addressed by art, philosophy and cultural criticism.


Works

    Maite Muñoz Iglesias

    [US] 818-797-8084
    [SP] 652 246 964

    I’m an art curator and researcher with a deep interest in contemporary art practices. My experience in the museum and institutional field stands out, with particular attention to artistic practices related to archives and the use of underground artists’ publications as a means of expression and democratization of art. In recent years, I have combined this work with independent projects in collaboration with artists, galleries, collectives, and non-profit organizations. Through curating exhibitions, writing, editing publications, and other research projects, I seek to generate spaces for exchange and collective learning in joint work with other cultural agents.

    My approach to curating combines theory and praxis, understood as two sides of the same coin. I enjoy the formal aspect of the works and the complexity of the aesthetic experience, while I consider these aspects inseparable from the generation of critical discourse. I am interested in the capacity of the work of art to influence on a spiritual and individual level, as well as its power to bring about social change as a political tool. I am especially attracted to the processes, not only the results, and to the affections and relationships that are established through collaborative work. I understand curating as a practice that goes beyond the exhibition format and expands to other media, such as public and educational programs, (an)archives and oral memories, or publications in their most diverse manifestations.

    My interest in design, philosophy, and the book world marked my formative years and continues to be among my main personal attractions and influences my professional practice.

    I live between Los Angeles and Barcelona, a situation I use to generate bidirectional relationships between creators, curators, and artistic spaces. Together with Alicia Escobio, I form the curatorial collective Vista Oral, with which we carry out projects with artists and other cultural agents on both sides of the Atlantic.

    Bachelor of Fine Arts specializing in New Media. Master in Design and Communication, specializing in video game studies. Master in Curating Art and New Media. Team member of the MACBA (Museu d’Art Contemporani de Barcelona) from 2008 to 2016, where she worked as Head of Archive. Member of Los Angeles Contemporary Archive (LACA), an artist-run archive and programming space. She has been a researcher for the European projects L’Internationale and MeLA Project. She has curated several exhibitions and collaborated and impulsed different editorial projects. As an independent curator, writer and lecturer she, has worked with institutions and organizations such as Museo Nacional Centro de Arte Reina Sofía (MNCARS), Royal College of Art London (RCA), Museo de Arte Contemporáneo de Castilla y León (MUSAC), Museu d’Art Contemporani de Barcelona (MACBA), Acid-Free Los Angeles Art Book Market, YAXS Guatemala, Bienal de Cuenca Ecuador, Antoni Muntadas Archive, CalArts or Elías Querejeta Zine Eskola.

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